Today, I got back from Austin, which is typically scorching hot in August. With a "cold front" and a few showers, the weather was not as unbearable as usual. There still is, however, a dramatic difference between the temperatures in London and Austin. Just standing in your garage in Austin will cause you to sweat profusely. In London, well, let's just say I had to put on a light jacket today.
People always ask me what I am in Austin for. Typically, it's work related or it was because I need to see my orthodontist. But now that my braces are off, I really don't have a compelling excuse to go home. Fortunately, I was between projects.
This time, my reason for going home was for me. There was a big workshop weekend in Dallas. So, I caught a ride with a few friends up to Dallas. There were so many big name dancers and musicians. It was so amazing to be in a room full of talent.
I, personally, do not like learning a choreography at workshops. I guess it is difficult for a teacher to come in and do something that will benefit everyone... make everyone feel like they got their money's worth. Teaching a choreography is the easiest thing to do. I think part of the problem is that all the classes are with students of different levels. While the more advanced dancers have already drilled over arabesques before, the novices ask basic questions that slow down the class.
At Fantasia, a Middle Eastern Dance festival in London, there are levels assigned to each workshop class. So, novices are less likely to take an advanced class. Sorry, but if I'm payinhg $60 for someone's time, I don't want anyone slowing me down.
In addition to the workshops during the days (Friday, Saturday and Sunday!), the evening were full of spectacular shows. Even though, I had signed up pretty late, I was able to get a spot in the Friday night show. I thoroughly enjoy dancing staged shows. I like performing for people who have made a conscious decision to come watch a live performance. Even more so, I like have a designated, well-lighted area to dance in... so I can make floor patterns and move around without the fear of bumping into someone.
Did you know that back in the 1970's belly dancers used to make a living off of just dancing? These days there are a few that might dance in a few restaurants a night, teach classes during the day, and have some other side business that help pay the bills. In the 1970's, people didn't have cable television or DVD's to entertain them at night; they went out for entertainment. Those days are obviously over. Part of it is also that there are more bellydancers now than ever. When there is a potential gig at a party or restaurant, an experienced and talented dancer may ask for $150. Whereas a less experienced dancer desparate to get whatever gig will go for much less. Don't sell yourselves short! If you are in need of experience, perform at festivals or shows. You know you are good when you set higher standards, higher rates.
I have definitely watched more musicals, shows, operas here in London than ever. Austin is the live music capital of the world... what about live dance?
So, what I'm trying to say is: "Go out! Support the arts, your friends, your friends' friends!"
Peace out,
lily